Get Free Ebook Washington Black: A novel, by Esi Edugyan

Get Free Ebook Washington Black: A novel, by Esi Edugyan

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Washington Black: A novel, by Esi Edugyan

Get Free Ebook Washington Black: A novel, by Esi Edugyan

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Amazon.com Review

An Amazon Best Book of September 2018:: Washington Black is that rarest of novels: a hybrid that knows exactly what it is. The story begins as an antebellum novel about Wash, an 11-year-old slave working on a Barbados plantation run by a sadistic master. When Christopher, the master’s brother, takes Wash under his wing and teaches him to read, the novel turns more toward adventure and scientific exploration. There are inventions, twists, and turns; there is danger and intrigue; there is travel and growth. What holds everything together is author Esi Edugyan’s writing chops. She is a precise writer who has created a world that seems whole and all-embracing. Her characters are fully realized human beings. The weight of personal freedom is a theme that winds through the book, as does the opposing weight of cultural and societal expectations. There is so much to digest here, and so much to enjoy, that readers may well be tempted to read this book twice. --Chris Schluep, Amazon Book Review

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Review

“Perfectly executed . . . Soaring . . . More than a tale of human bondage, it’s also an enthralling meditation on the weight of freedom, wrapped in a rousing adventure story stretching to the ends of the earth.” —Renée Graham, The Boston Globe  “Terrifically exciting . . . An engrossing hybrid of 19th-century adventure and contemporary subtlety, a rip-roaring tale of peril imbued with our most persistent strife . . . Discover what the rest of the world already knows: Edugyan is a magical writer.” —Ron Charles, The Washington Post “Riveting . . . [A] towering achievement . . . Edugyan is one of our sharpest and deepest writers of historical fiction.” —David Canfield, Entertainment Weekly“A lush, exhilarating travelogue reminiscent of Jules Verne . . . Edugyan, like her hero, can paint an indelible scene.” —Laura Miller, The New Yorker“Gripping . . . Astonishing . . . Washington Black’s presence in these pages is fierce and unsettling. His urge to live all he can is matched by his eloquence.” —Colm Toibin, The New York Times Book Review “A wonder of an adventure story, powered by the helium of fantasy, but also by the tender sensibility of its aspiring young hero, Wash Black . . . Much of the pleasure of reading Washington Black derives from Edugyan’s ingenious storytelling gifts, but her novel is more than just a buoyant bauble . . . Washington Black is an unconventional and often touching novel about the search for transcendence above categories.” —Maureen Corrigan, NPR/Fresh Air“As harrowing a portrayal of slavery as Colson Whitehead’s The Underground Railroad, but also a globe-trotting, page-turning adventure story. A historical epic with much to say about the present-day world.” —Justine Jordan, The Guardian“Extraordinary . . . Edugyan is a marvelous writer.” —Michael Upchurch, Seattle Times“Profoundly humane.” —Johanna Thomas-Corr, The Times (UK)“A daring work of empathy and imagination, featuring a Barbados slave boy in the 1830s who flees barbaric cruelty in a hot-air balloon and embarks on a life of adventure that is wondrous, melancholy, and strange.” —The New York Times Book Review (Editors’ Choice)"An astounding novel . . . It is impossible for the reader not to hang on to Wash’s every word.” —Holly Silva, St. Louis Post-Dispatch “A sparkling subversion of a high-stakes Victorian yarn, full of truths and startling marvels . . . Wash is a singular, dazzling narrator.”—Anita Felicelli, San Francisco Chronicle“Masterful . . . Wondrous . . . Gripping . . . Edugyan’s depiction of this dark period is vivid and captivating. [She] is too subtle a novelist to belabour her story’s contemporary relevance, but, like the moral stain of human bondage, it is palpable all the same. At a time when blackness still invites unwarranted violence, young Wash’s hard lessons resonate.”—The Economist“Washington Black is a rare creation. It is a work of unmistakable literary sensibility, written in prose that is fresh and beautiful, yet it retains a storyteller’s skill to shock and surprise.” —Amanda Craig, Daily Telegraph“Exquisite.” —Boris Kachka, New York magazine“A full-pelt adventure story featuring hot-air balloon crashes, blizzards in the Arctic, scientific discovery, knife fights in dark alleys, bounty hunters, and forbidden romance, it has the seemingly old-fashioned qualities of being gripping and plot-driven, as well as a novel of ideas . . . Surprisingly uplifting.”—Francesca Angelini, The Times (London)“Magnificent . . . By placing a black slave at the heart and centre of this epic romp, by making Wash the explorer of lands, science and art, Edugyan reclaims long-lost terrain in this ambitious, headspinning work.” —Nilanjana Roy, Financial Times“A gripping historical narrative exploring both the bounds of slavery and what it means to be truly free.” —Vanity Fair“Edugyan’s genius here is that she’s found an urgent, fresh way of writing the antebellum novel . . . A romping yarn, beautifully and evocatively written, the narrative spinning along at a glorious pace.” —Lucy Scholes, The National “Thrilling . . . Washington Black is a gripping tale, made vivid by Esi Edugyan’s gifts for language and character, and by the strength of her story . . . The reader feels honoured to have kept Wash company on his journeying: and moved to see him embark upon his true beginning.” —Erica Wagner, The New Statesman“Terrific . . . A multi-faceted tale that travels across geography and history. In its rich details and finely tuned ear for language, the book creates a virtual world . . . Edugyan is a virtuosic writer . . . She satisfies the ultimate demand we make of novels: an intriguing examination of unanswerable, but essential, questions.”—Martha Anne Toll, The Millions“Captivating . . . Edugyan’s fiction always stays strong, beautiful and beguiling.” —Arifa Akbar, The Observer (UK)“Washington Black is nothing short of a masterpiece. Esi Edugyan has a rare talent for turning over little known stones of history and giving her reader a new lens on the world, a new way of understanding subject matter we arrogantly think we know everything about. This book is an epic adventure and a heartfelt tale about love and morality and their many contradictions. I loved it.”—Attica Locke, author of Bluebird, Bluebird“In her elegant, nuanced writing style, Edugyan unfolds Wash’s experiences as he realizes his freedom.” —Joan Gaylord, Christian Science Monitor  “An absorbing, lyrically arresting investigation of freedom in its many forms . . . [that] becomes an exuberant paean to the transformative powers of storytelling.”—Claire Allfree, Metro (UK)“At the core of this novel, with its searing, supple prose and superb characters, is a visceral depiction of the abomination of slavery. Yet, as importantly, it explores an unlikely friendship, the limits to understanding another’s suffering, the violence lurking in humans, and the glories of adventure in a world full of wonders.” —The Daily Mail “A vibrant, poignant tale of a man’s search for selfhood in a world where some see him as less than whole . . . Remarkable.” —Library Journal (starred)“Wonderful . . . Eloquent . . . Brilliant . . . Wash and Titch are so alive as to be unforgettable . . . This important novel from the author of the superb Half-Blood Blues belongs in every library.” —Booklist (starred)“Edugyan’s magnificent third novel again demonstrates her range and gifts . . . Framing the story with rich evocations of the era’s science and the world it studies, Edugyan mines the tensions between individual goodwill and systemic oppression, belonging and exclusion, wonder and terror, and human and natural order . . . Crafted in supple, nuanced prose, Edugyan’s novel is both searing and beautiful.” —Publishers Weekly (starred, boxed)“High adventure fraught with cliffhanger twists marks this runaway-slave narrative, which leaps, sails, and soars from Caribbean cane fields to the fringes of the frozen Arctic and across a whole ocean . . . One of the most unconventional escapes from slavery ever chronicled . . . Edugyan displays as much ingenuity and resourcefulness as her main characters in spinning this yarn, and the reader’s expectations are upended almost as often as her hero’s. A thoughtful, boldly imagined ripsnorter that broadens inventive possibilities for the antebellum novel.” —Kirkus Reviews (starred)“A thrilling page-turner . . . also a lyrical contemplation of captivity and freedom, and the scars that stay with us for life.” —Marsha Lederman, Globe & Mail“A powerful story about slavery . . . The first section of the book, set on the plantation, is a scintillating tour de force . . . A novel worthy of its subject.” —Kathy O’Shaughnessy, Literary Review“Irresistible . . . Tightly paced . . . A gripping adventure and an atmospheric portrayal of 1830s society.” —Daily Express  “A cinematic epic of slavery and freedom, it’s also a tale of high adventure and scientific endeavor . . . Both engaging and deeply affecting.” —Barb Carey, Toronto Star“Extraordinary . . . A richly entertaining read.” —Nick Rennison, BBC History Magazine“Excellent . . . Devastating . . . Unforgettable . . . In a story that is escapist, as well as poignant and political, Edugyan enjoys taking her readers where they are least expecting to go . . . Like the best historical fiction, it shines a light on the present as well as the past.” —Joanne Hayden, Irish Independent“Washington Black is an intimate portrait of slavery at its most genocidal and of the limitations of kindness in an unjust system. The book’s hero is a gifted scientist and artist fighting to live a fully human life in a world that insists on seeing him either as livestock or as an object of pity. Along the way, there are balloon rides through storms at sea, vignettes of frontier life in nineteenth century Canada, scenes of polar exploration, and the establishment of the world’s first aquarium. Washington Black is a brilliantly absorbing picaresque; a book that combines the unflinching depiction of violence with a lyrical, hallucinatory beauty.” —Sandra Newman, author of The Country of Ice Cream Star

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Product details

Hardcover: 352 pages

Publisher: Knopf; 1st edition (September 18, 2018)

Language: English

ISBN-10: 0525521429

ISBN-13: 978-0525521426

Product Dimensions:

6.6 x 1 x 9.5 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

192 customer reviews

Amazon Best Sellers Rank:

#2,663 in Books (See Top 100 in Books)

You know a book is good if it stays with you a few days after reading it. The author, without being at all obvious about it, leads us through a story that has many levels and explorations of what it means to be "captive". Captive to a slave owner, captive to a concept, captive in an exhibit. It looks at what it takes to be truly free.This is my first book by Edugyan. It won't be my last.

The time span of this novel is from 1830-1836 with a plot line divided into four distinct sections. The story begins on the Faith Plantation in Barbados where sugar cane is grown and harvested. This section is brilliantly written! Edugyan is unsparing in her portrayal of the physical and emotional brutality of slavery. The reader meets George Washington Black, a six year old child born into slavery. Wash's family is unknown to him and his desperation to "belong to" another human being is palpable. A Dahomean slave named "Big Kit" takes on the "role" of mother. Serendipitously, Wash is chosen by the younger brother of the plantation owner, to serve as his scientific assistant. Under the watchful eye of Christopher "Titch" WIlde, the boy learns some reading and math skills, but especially hones his ability to draw natural objects. After the two prepare for a trip aloft in a hot-air balloon, the novel begins to unravel..The reader is forced to suspend all credibility from that point onward. Titch and Wash are saved in a storm from the sinking "Cloud-cutter", sail up the coast of the United States and elude a bounty hunter by escaping to the Arctic. Wash wends his way alone to Nova Scotia only to meet up with a marine biologist and his daughter. There is more travel on deck for Wash to Europe and even Morocco. There are too many characters and dead-end story meanderings in too many venues. It absolutely dispels the major themes of the effects of slavery and the need to belong to a family. Sadly, a great start has a very unsatisfying finish.

Washington Black is an unusual hybrid of a book – an adventure-fraught, adrenaline-pumping tale that also incorporates the horrors of slavery, the joys of scientific discovery, and a coming of age journey. Yet, it all works.Briefly, a look at the plot: a 12-year-old slave named George Washington Black (nicknamed Wash) , by a streak of fortune, falls under the protection of the cruel owner’s brother, Christopher (Titch) Wilde, who is far more enlightened with a scientific bend. After a nail-biting plot twist, the two end up in the heart of the frozen Arctic and eventually, Wash’s travels take him to places near and far.There are surprises along the way and characters that we thought we had seen the last of who pop up in unexpected places. To say much more, I think, would constitute a spoiler (and there are spoilers galore on this book out there.)If the book has a theme and a motto, it would be the words of Titch to Wash, who early on reveals himself to be a meticulous artist: “Be faithful to what you see, and not what you are supposed to see.”quintessential question becomes: who is Wash, anyway? Someone to be exploited? Someone to be saved? Or perhaps someone who is in a constant journey of self-discovery, recognizing, ultimately, that “life had never belonged to any of us…we had been estranged from the potential of our own bodies, from the revelation of everything our bodies and minds could accomplish.” Therein lies the tragedy—and the majesty—of Esi Edugyan’s soaring book.

George Washington Black, Wash, for short, is an unlikely world traveler, inquisitive observer of nature, and gifted artist because of his beginnings as a slave on a sugar cane plantation. However, an encounter with Titch, fellow scientist and traveler, changes the direction of Wash’s fate. A compelling narrative, Washington Black is the kind of novel that makes me want to go back and reread it as soon as I finished. Themes of pain and suffering we both experience and inflict resound through the story. Often bitter and horrific, the story nonetheless is hopeful and even darkly comic at times. This is a truly unique read.

This was an interesting and somewhat unconventional take on the effects of slavery on slave and master. For me, the protagonist's extended obsession with his one-time master's motives that drives the last part of the book rang a bit hollow -- without denying the character his intelligence and emotional complexity, it seemed like the kind of brooding and psychologizing that belongs to a more modern era. However, the characters and their world are fascinating and well-drawn, and I found the book very entertaining. My only other complaint, as a hot-air and gas balloonist, is that the ballooning described in this book is completely unrealistic. It cast doubt on all the other historical content of the book.

After considerable discussion earlier about the lifting power of hydrogen for the Cloud-cutter, the first ascent of the balloon is accomplished by hot air. On p 104 we have: "Then, without another word, he [Titch]adjusted the canister. A higher column of fire surged upwards into the canopy, and the fabric began to shudder and shake."I imagine it would have done, if the hydrogen-filled Hindenberg is anything to go by. Are there no copy editors in today's world?

Washington Black is a remarkable novel beginning on an early 19th century plantation, where a British heir mentors a slave boy in scientific experiments,; quickly realizing that his assistant has astonishing artistic talent. The book takes readers from the warmth of the Caribbean to the glaciers of the Arctic, and is a beautifully written and radical change from this decade's literary dystopia.

This book is EVERYTHING!! It is Jules Verne, Mark Twain and Toni Morrison entwined. The exploits of young Wash to find his roots, someone to love him is breathtakingly beautiful. There were times after reading a passage I'd have to pause and digest it. I recommend this book as REQUIRED READING! Run to your bookstores, libraries or Kindles. Get it!

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