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Notes on the Cinematograph (New York Review Books Classics), by Robert Bresson
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Review
"The collection Bresson on Bresson: Interviews 1943-1983 and Bresson's own Notes on the Cinematograph are primers for the gradual understanding of Robert Bresson, to paraphrase Gertrude Stein...Notes on the Cinematograph is the ultimate refinement of Bresson's thought, a loosely grouped succession of aphorisms and Zen koans." —J. Hoberman, The New York Times“If there were any director you might expect to write what is, in effect, a philosophical notebook on the art and science of film-making, it would be Bresson...This is…a collection that reaches beyond its subject matter. It actually is philosophy.” —Nicholas Lezard, The Guardian“Half-philosophy, half-poetry, Notes on the Cinematograph reads in places like The Art of War for filmmakers.” —John Semley, The A.V. Club “The power of Bresson’s films lies in the fact that his purity and fastidiousness are at the same time an idea about life, about what Cocteau called ‘inner style,’ about the most serious way of being human.” —Susan Sontag"Short, aphoristic fragments that guide Bresson's film making. Scribbed down as 'notes to self,' reading them in whole is astonishing & inspiring, a totality of a brilliant filmmaker." --Mike Kitchell, HTMLGiantNotes on the Cinematograph...feels like the rare beast: a manifesto of filmmaking one doesn’t see much of nowadays. In it, Bresson’s artistic philosophy is laid bare.—Zak Salih, The Los Angeles Review of Books An original and singular figure, Breton sought a truer form of narrative film...a welcome creative tool, both for people interested in making art and for those who just enjoy talking or thinking about it.—Ignatiy Vishnevetsky, A.V. Club Bresson’s films are many things. They are among the most maddeningly beautiful in all of cinema; each is like a wedge violently driven into the world. Bresson’s cinema is a monument to an idea of art that knows no compromise.—Michael Blum, The Brooklyn Rail
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About the Author
Robert Bresson (1901–1999) was born in Bromont-Lamothe, France. He attended the Lycée Lakanal in Sceaux, and moved to Paris after graduation, hoping to become a painter. He directed a short comedy, Affaires publiques, in 1934, but his work was curtailed by the outbreak of World War II. He enlisted in the French army in 1939 and was captured in 1940, spending a year in a labor camp as a prisoner of war. After his release he returned to Paris and directed Angels of Sin (1943), his first full-length film, under the German occupation. Les dames du Bois de Boulogne followed in 1945, and in 1951 Diary of a Country Priest was met with widespread acclaim. His next film, A Man Escaped (1956), which follows the memoirs of André Devigny, a French Resistance leader incarcerated during World War II, became a hit. He made eleven more films over the next three decades, including Mouchette (adapted from the Georges Bernanos novel of the same name, published as an NYRB Classic); Au Hasard Balthazar; Pickpocket; Lancelot of the Lake; and L’Argent. Throughout his career Bresson eschewed the use of theatrical techniques and employed nonprofessional actors whom he referred to as models. Raised in the Catholic faith, he worked on and off throughout his career on an adaptation of the book of Genesis, which never saw fruition. He died in Droue-sur-Drouette at the age of ninety-eight. Robert Bresson’s interviews, edited by Mylène Bresson, are collected in Bresson on Bresson, published by New York Review Books.Jonathan Griffin (1906–1990) served as the director of BBC European Intelligence during World War II. Among the authors he has translated are Jean Giono, Fernando Pessoa, and Nikos Kazantzakis. A collection of Griffin’s poetry, In Earthlight, was published in 1995. J.M.G. Le Clézio was born in Nice in 1940. He has written more than forty books, including works of fiction and memoir as well as collections of essays and books for children. In 2008 he was awarded the Nobel Prize in Literature.
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Product details
Series: New York Review Books Classics
Paperback: 112 pages
Publisher: NYRB Classics; Main edition (November 15, 2016)
Language: English
ISBN-10: 1681370247
ISBN-13: 978-1681370248
Product Dimensions:
5 x 0.3 x 8 inches
Shipping Weight: 4.8 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#226,785 in Books (See Top 100 in Books)
Brief, essential points of wisdom that define the film maker's words to live by. Some are good but seem like orphans and widows without connection or context. Too bad, or too self effacing, considering that Robert Bresson made great films whose quality still stands out today.
This book is one of the classics that's been out of print for almost 30 years. As a young filmmaker I found it absolutely essential in my intellectual formation. I am so happy that it is back in print.
Actually useful. Benefits further from being able to advise you regardless of what page you open it to.
quotes from him, is ok
Simply the best regarding filmic thoughts. Seeing through the eyes of Bresson.
Great Quality of Product and Fabulous Service
Inspiring book on cinematography, pithy short and profound. Really a book on life practice too.
Must have book for any filmmaker.
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