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Product details

File Size: 2686 KB

Print Length: 329 pages

Publisher: Wiley; 9 edition (April 3, 2013)

Publication Date: April 3, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00C8C4AR2

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Amazon Best Sellers Rank:

#1,484,289 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Nice book and easy to read. However, it uses European/Indian brand drug names. Makes it fairly un-useful for US based students.

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PDF Ebook Fierce Wars and Faithful Loves: Book I of Edmund Spenser's The Faerie Queene, by Edmund Spenser

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Fierce Wars and Faithful Loves: Book I of Edmund Spenser's The Faerie Queene, by Edmund Spenser

Fierce Wars and Faithful Loves: Book I of Edmund Spenser's The Faerie Queene, by Edmund Spenser


Fierce Wars and Faithful Loves: Book I of Edmund Spenser's The Faerie Queene, by Edmund Spenser


PDF Ebook Fierce Wars and Faithful Loves: Book I of Edmund Spenser's The Faerie Queene, by Edmund Spenser

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Fierce Wars and Faithful Loves: Book I of Edmund Spenser's The Faerie Queene, by Edmund Spenser

Review

Despite all of his acknowledged greatness, almost no one reads Spenser anymore. Roy Maynard takes the first book of the Faerie Queen, exploring the concept of Holiness with the character of the Redcross Knight, and makes Spenser accessible again. He does this not by dumbing it down, but by deftly modernizing the spelling, explaining the obscurities in clever asides, and cueing the reader towards the right response. In today's cultural, aesthetic, and educational wars, Spenser is a mighty ally for 21st century Christians. Maynard proves himself a worthy mediator between Spenser's time and ours." ---Dr. Gene Edward Veith, Patrick Henry College

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About the Author

Roy Maynard is an author and journalist who has written for such publications as WORLD Magazine, the Fort-Worth Star Telegram, and the Houston Chronicle. He lives in east Texas with his wife, Sara, and children Calvin, Laurel, and Blythe.

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Product details

Paperback: 240 pages

Publisher: Canon Press; 1 edition (January 1, 1999)

Language: English

ISBN-10: 1885767390

ISBN-13: 978-1885767394

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#170,299 in Books (See Top 100 in Books)

I spent eleven dollars on this for Kindle, and I have seen better formatted texts from Gutenberg. This is awful.First of all, be aware that Amazon lumps all reviews of the same title together, so while I am specifically reviewing the Kindle edition, you may be seeing my review under the paperback hard copy. That is an Amazon flaw, not my error.Here is what's wrong with the Kindle edition-Each stanza of the poem is its own page image, *not* text that you can highlight, underline, or click on any individual word. The text in this page image is incredibly tiny and difficult to read. You can click on the page image to enlarge the image as a whole, but there is no choice as to the size of the page image. Most of the time, the image is made too big for the Kindle page, and it will flip the image end up, so that to read it, you have to turn your kindle around. This means you're doing a lot of flipping your Kindle back and forth as you are first reading with the Kindle screen vertical, and then horizontal, and then back again.You can select the horizontal screen for the entire text, but then the zoom button doesn't really make the page image of the poem stanza any larger.That's not even the worst flaw. The thing that makes this edition of Spenser really special (in the actual book form) is Roy Maynard's annotations, footnoted in the text, and usually found right beneath the text. In the Kindle, the footnotes are not hyperlinked. If the Kindle version had been done by somebody with some understanding of what it's like to use a Kindle, you'd be able to click on the footnotes and go right to the corresponding comment, but this version was apparently designed by somebody who secretly (or not so secretly) loathes Kindle users and yearns to drive them mad, so you can't. You can only revert the page image of a stanza with an footnote back to its microscopic size, remember the number to the footnote you want, and then click through until you get to the page with the note for that footmark. It might be the same page, the next page, or three pages later. Then you will have to tediously click back through your previous steps until you get to the enlarged page image of the stanza you were reading, but which you no longer care a fig about because the experience has been so infuriating.I purchased this for school for my 15 and 13 year olds, and they find the disjointed, bizarre layout difficult to use and the text is complex enough without being derailed by the necessity of switching back constantly from text to page image and back again. This means my teenagers can't read the text independently at all.You could, of course, just read a stanza or two and then a series of footnote explanations, and we tried that, but it made no sense. A comment such as 'uh oh' is amusing in context, with the footnoted text immediately at hand. In format like this, it's just an 'uh oh,' floating in space, devoid of context or meaning.Get the hard copy. The text is wonderful, and Maynard makes it very accessible. Do NOT buy the Kindle version. It's a waste of your time.I am deeply disappointed with this product and hope the powers that be here don't do any more Kindle versions until they Learn. How.

I knew nothing of Spenser or The Faerie Queene before reading this, and I was surprised at how much I enjoyed it.Maynard's footnotes and inserts are extremely helpful, and usually very funny. He does a very good job of explaining unclear passages or words, and also of making connections that Spenser intended but that might not be immediately evident.If you enjoy Bunyan's Pilgrim's Progress, I highly recommend this work. I will definitely be coming back to it many times.

When C. S. Lewis read "Phantastes" by George MacDonald he wrote that he encountered holiness. I read "Phantastes" and I agree, but I encountered holiness far more in FQ. I was blown away by the book. The language is archaic, but Maynard does a good job of footnoting the tough words and the hard to understand phrases. He encourages the reader to read FQ aloud and I agree. I have a tin ear for poetry, but even I caught the cadences occasionally and it helped.Saint George or the Red Cross knight is a flawed character, but he is brave. He fails over and over again, but with fair Una's help, he keeps getting up until he finds grace. I don't catch all the symbolism in the allegory, but the allegorical elements energizes the narrative. I know there is much more going on than what is on the surface.The author's notes are too cutsey at times, but he shares his enthusiasm with the reader. Maynard comes across as a friend who is encouraging you by saying, "Yep, you're right. This is really great. Are you having fun, yet?" Maynard is obviously a Christian who fundamentally agrees with Spenser on the important things, so Maynard's enthusiasm is real.Holiness and goodness is palpable in the these pages. It is a life-changing experience. The book is full of gory battles. The battle is real and there are casualties.

The story is great, but more difficult for me and my daughter with the old English. The footnotes and synonyms helped greatly.

I particularly appreciated the explanations, word definitions, and background segments. Great reading, and also excellent as a teaching tool.

The notes, definitions, and explanations are so helpful! I would recommend this version specifically since you can enjoy the story so much more when you understand it.

Roy Maynard ought to be commended for aiding us in reading Spenser. Personally, I think Spenser tells a better yarn than Shakespeare, with all due respect to the Bard. This book was written by a Christian, with powerful Christian overtones, and Christians will benefit the most from it. The language is archaic, the story is...well...schockingly relevant.I said in the title that the book is transcendental. What I mean is the book, in certain sections, touches areas that strikes the reader to the core. No, the hero is not perfect. Yes, he fails over and over again. But the battles he fights! The nature of forgiveness, pain, guilt, ecstatic joy--Spenser pulld no punches. And to point out another irony of historical revisionism prevalent in the public schools: Spenser has sexual allusions (fear not, for they are used to show, in the words of CS Lewis, "the fierceness of Chastity" and the bloody fight that its worth); even more shocking is that Spenser is a proto-Puritan, thus debunking the whole Puritan "prude" myth. By the way, the true hero in the book is King Arthur, not Redcrosse; you will see why later in the book.Yes, the book is hard to read, even with Maynard's annotations. But oddly enough, it is easy to follow, by and large. I will end with a quote from CS Lewis, "...to read Spenser is to grow in mental health."

I am reviewing the paperback copy. This text includes modernized spellings and plentiful annotations in a chatty style that makes the text accessible.

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Download PDF Drumbeat in Our Feet, by Patricia A. Keeler

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Drumbeat in Our Feet, by Patricia A. Keeler

Drumbeat in Our Feet, by Patricia A. Keeler


Drumbeat in Our Feet, by Patricia A. Keeler


Download PDF Drumbeat in Our Feet, by Patricia A. Keeler

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Drumbeat in Our Feet, by Patricia A. Keeler

From School Library Journal

Grade 1-5–This well-designed, visually appealing book opens with a concise overview of the origins of African dance traditions that highlights the diversity of African peoples, cultures, and landscapes. Other two-page chapters cover how dances are passed on to children, different types of dances, image dances (those that mimic animal movements), costumes and body painting, honoring spirits and ancestors, musical instruments, drums, call-and-response songs, masked dancers, and performance. Keeler's watercolor-and-pencil illustrations impart a sense of vibrancy, movement, and joy. Most of the text is presented on the left-hand quarter of each spread, printed over sepia-toned illustrations that reflect the content. On the right, a large, colorful painting shows a troupe of American youngsters learning about that particular aspect of dance and preparing for a performance, along with a few short, rhythmic sentences. Back matter includes a note about Batoto Yetu, a Harlem, NY-based dance troupe founded by Leitão; a map of Africa; and a pronunciation guide. A fresh, uplifting, and captivating offering.–Mary N. Oluonye, Shaker Heights Public Library, OH Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Booklist

This joyful picture book uses watercolor-and-pencil artwork to show African dances from all over the continent and kids "coming from Brooklyn, coming from Harlem, the Bronx and down the subway lines" to learn them at the Harlem's Batoto Yetu dance studio. On each left-hand page is a sepia-tone illustration of a traditional African dance, accompanied by detailed notes about its origin, the performance, and the cultural tradition. Opposite pages include a rhythmic verse and a full-color picture of children in their American studio learning the dance, painting their faces and bodies with traditional designs, and putting on a show. Eschewing primitive stereotypes and generic connections, the authors present a wealth of detailed information about call-and-response, musical instruments, image dances, and much more. The busy art celebrates both the rich diversity of African dance traditions and the joy of passing them on. A map, a selection of photos of kids at the school, and a brief bibliography are appended. Hazel RochmanCopyright © American Library Association. All rights reserved

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Product details

Hardcover: 32 pages

Publisher: Lee & Low Books (October 30, 2006)

Language: English

ISBN-10: 158430264X

ISBN-13: 978-1584302643

Product Dimensions:

11 x 0.5 x 9 inches

Shipping Weight: 1 pounds

Average Customer Review:

3.9 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#3,452,066 in Books (See Top 100 in Books)

Jump up and dance with this powerful book about children's African dance! In Keeler's magical African world, children leap and spin across the pages representing wind, water, and fire! Their arms spreading and backbones curving, dancers represent elephants, monkeys and antelopes!Did you know each white dot on a child's arm stands for a dancer that came before her? And the zig-zag design painted on the children's bellies represents crocodile teeth? Many African secrets are revealed!Feel the rhythm, African rhythm. Feel the beat, African beat! Don't miss this one!"

This book wasn't exactly what I had expected. I wish that the "Look Inside" option would have been available, but since it wasn't, I went by other reviews and thought it would have more of a storybook format. Instead, it had kind of an ongoing poem throughout the book on the right-side pages, while the left-side pages had factual information about different kinds of African dance. It is still an interesting book, and the illustrations are nice, but it didn't serve the purpose I had intended it for.

The students really enjoyed this book. We had a drum circle session afterwards!

Visually a perfect book but the writing is sketchy I prefer well written books even for children; not fragmented thoughts and run on sentences.

This book is not a read aloud, but more of an informational or reference type of book. I was not happy to see that I paid over $16 and now the price has been reduced. This book was not worth my money.

The authors honor the Batoto Yetu dance troupe and celebrate African dance in this uplifting picture book. Julio T. Leitao founded the troupe in 1990. Children from all over the New York City area arrive at the dance studio where their teacher leads them in songs, drumming and dance. The meanings of the dances are reflected in traditional dress, masks and body paint as they prepare for a show. As the children learn the steps, they also learn history and embrace different cultural traditions.Keeler's layout features background information in the left margin of colorful two page spreads. She portrays an African dance class to the right. As the children prepare for a performance, facts about the origins of different types of dances, costumes, and musical instruments accompany vivid illustrations of students leaping and stepping through traditional dances.Additional information about Batoto Yetu, which means "our children" in Swahili, rounds out the book with photographs of young performers. A map of the African continent helps orient the reader and a pronunciation guide and author's sources are included. "We are the children of the ancestors, singing the songs, dancing the steps to a story that never ends. African rhythm in our steps. African drumbeat in our feet!"

An infectious energy fills the pages of this book from cover to cover. Even the endpapers make me want to get up and dance around the room! Ms. Keeler and Mr. Leitao have created a fun and fascinating book on African Dance, beautifully written and so visually energetic that you can feel the drumbeats on each page. Sepia-toned African scenes blend into colorful urban settings, building to a grand finale final spread, brilliant with color and movement. "Once you learn how to do African dance," says one young dancer, "you'll never stop dancing!" What a nice thought to end this book... I, for one, am convinced!

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